Rare Books Berlin - Internationale Messe für Bücher und Graphik

...

JANSCHA, LAURENZ & ZIEGLER, JOHANN.

Collection de Cinquante Vues du Rhin. depuis Spire jusqu'à Dusseldorf Dessinees sur lieux d'apres Natur 1798. Fünftzig malerische Ansichten des Rhein-Stromes von Speyer bis Düsseldorf nach der Natur gezeichnet. Vienna, Ataria & Co., 1798. Large Folio, (420 x 550mm), attractive binding of full red morocco gilt, engraved title and 50 finely fully hand-coloured, etched and aquatint plates within wash borders, text in German and French. A MAGNIFICENT SERIES OF FINELY HAND-COLOURED VIEWS OF THE RHINE, including the major cities, castles and sights along the river at Speyer, Mannheim, Worms, Mainz, Bingen, Koblenz, Bonn, Andernach, Gottesberg, Poppelsdord, Cologne and Dusseldorf, and elsewhere. FIRST EDITION This has now become a rare and splendid work and is rightly considered to be the most beautiful collection of Rhine Views ever published. (Schmitt 114). "The Viennese landscape painter Laurenz Janscha (1749-1812) and the draftsman and engraver Johann Ziegler (1750-1812) created a rococo-style work of Viennese Views probably under instruction from Maximilian Franz, son of the Austrian Empress Maria Theresa " One of the most beautiful of all German colour plate books, and undoubtedly the mostmagnificent series of views of the Rhine. One of the earliest of the spectacular colour-plate books on the journeys of rivers. Although this vogue can be said to have started with Gilpin's book on the River Wye, the first of the great books was probably Boydell's Thames (1794). The present work appeared shortly after that book and pre-dates the river journey books by Ackermann. In the Romantic tradition of book illustration, it shows the great castles and ruins of the middle-ages in the most picturesque settings (Haberland, Illustr. Rheinbücher 24).

Sachgebiete: Deutschland, Papier/Buntpapier

30.07.2026 - 12:30

50850,- EUR

Marshall Rare Books

...

HEVELIUS, JOHANNES.

Prodromus Astronomiae, exhibens fundamenta, quae tam ad novum plane & correctiorem stellarum fixarum catalogum construendum.  Danzig, Johann Zacharias Stoll, 1690. Folio [39.2 x 22.9 cm], double page engraved frontispiece displaying an Observatory with a scene of a meeting of Hevelius and other astronomers including Ptolemy, Tycho Brahe, Riccioli, and others, (10) ff. (including general half-title and title), engraved portrait of Hevelius 142 pp, single-page engraved plate A* bound opposite p. 96 as usual, engraved headpiece and initial, woodcut headpieces,tailpieces and initials,with the double-page engraved title to the Firmamentum, Contemporary polished calf gilt. [Bound with:] ____. Catalogus stellarum fixarum ex observationibus multorum annorum. Danzig, Johann Zacharias Stoll, 1687. 143-350 pp., (1) f. [And with:]  ____. Firmamentum Sobiescianum, sive Uranographia, totum coelum stellatum. Danzig, Johann Zacharias Stoll, 1690. (1) f. title, 21 pp., (1) p. circular engraved vignette, with engraved headpiece vignette, (2) oversized folding plates of planispheres & 54 double-page engraved plates of the constellations in excellent fresh impressions, One chart has some colour on one of the celestial figures. Rare first edition of Hevelius’ star atlas, along with the Introduction (Prodromus) and the catalogue of stars, together as issued: a fundamental text in the history of astronomy and a spectacular illustrated book. The Firmamentum Sobiescianum is considered the most detailed and influential celestial atlas of its time, both in the formation of subsequent atlases and in the production of celestial globes: “Contemporary globes, such as those by G. C. Einmart, and Gerhard and Leonhard Valk, often acknowledge Hevelius as their source. Later constellation outlines and draftsmanship also owed much to the Uranographia” (North, DSB VI.364). The star atlas contains 73 constellations, of which 12 are introduced here by Hevelius himself. His discoveries include the Scutum Sobiescianum (the shield of Sobieski, i.e., the shield with which King Jan III of Poland defended Europe against the Turks, and which Hevelius so named to acknowledge the latter’s financial support); the “Lynx”, a grouping of very faint stars named because one needed the sharp eyes of this animal in order to see them; and the “Sextans”, which he called after one of the many astronomical instruments he designed. These names as well as several others coined by Hevelius are still used by astronomers today. The 57 star maps were drawn by the Polish artist Andreas Stech and engraved by Charles de la Haye, though on the basis of his known involvement in making the plates for other works, North has suggested that Hevelius had a hand in these as well.  The publication history for these works is somewhat unclear, as is typical with posthumous publications: Hevelius died in January of 1687, and the work was seen through the press by his widow. Two dates are associated with the Firmamentum: 1687, which appears on the handsome engraved title, and 1690, which appears on the printed title page. The title page of the Catalogus Stellarum is also dated 1687. The printed title page of the Prodromos, however, is dated 1690. This disparity in dates has led some to hypothesize that the star atlas and the Catalogue may have been issued separately for limited distribution in 1687. See the Brigham Young Catalogue, #18, which cites the Harvard copy in its defence: that copy has a frontispiece and plates but does not possess the printed title page nor text leaves. This theory is corroborated by a letter written two months after Hevelius’s death by his assistant Christoph Colbe, indicating that the star atlas was already printed, but publication was delayed until after the Catalogus went to press. It is plausible that all three titles circulated separately as early as 1687. By 1690, however, they were joined (reference is made to “the book”). Most often the three parts circulate together. * Johannes Hevelius and his Catalogue of Stars, 55-58; J.D. North in DSB VI.360-64; Kenney, p. 83; Warner, The Sky Explored, p. 113, n. 8.

Sachgebiete: Astronomie, Atlanten, Kartographie

30.07.2026 - 12:26

87500,- EUR

Marshall Rare Books

...

GALLUCCI, GIOVANNI PAULO

Theatrum mundi, et temporis, in quo non solum precipuae horum partes describuntur, & ratio metiendi eas traditur, sed accomodatissimis figuris sub oculos legentium facile ponuntur. Venice, Giovanni Battista Somasco, 1589. 4to, (350 x 180mm),pp. [16], 478, [2] Contemporary vellum, Manuscript title. Second edition of the first celestial atlas of the new Copernican astronomy. (the first is dated 1588). The Theatrum mundi is an encyclopaedia devoted to astronomy, bringing together studies on the movements of the planets, the nature of eclipses and precision calculations. There are 144 full-page woodcuts, one of which depicts the two hemispheres of the terrestrial globe with the American continent. 48 are celestial maps inspired by the Ptolemaic constellations, 50 have 68 moving parts or volvelles. The notice to the bookbinder indicates that for page 121 (f. Q1), there are 6 possible variations, only one of which must be mounted according to the latitude at which the copy will be used, thus bringing the total number of different moving parts to 73. Giovanni Paolo Gallucci (1538-ca 1621) was a well-known private teacher to the Venetian nobility and founding member of the Second Venetian Academy. All his life, Gallucci engaged greatly with the Venetian printing industry: he edited a collection of astronomical medical essays including writings of Marsilio Ficino, published many works on astronomical and time-measuring instruments and translated into Italian Peckham’s essay on perspective, Dürer’s treatises on body symmetry and Acosta’s history of the New World. His most successful work, however, was certainly the Theatrum Mundi, a vast survey on terrestrial and celestial physics. It provides almost 150 maps for measurements, each accompanied by a Biblical quotation. The work is dedicated to Pope Sixtus (1585-1590), who had just banned all astrological literature since 1586. Although Gallucci could not resist to touch on some astrological implications of constellations, he questioned their alleged influence over human health and fate and pioneeringly tried to draw up a pure astronomical treatise. In his numerous diagrams and maps, Gallucci combined a coordinate system with a trapezoidal system of projection for an accurate determination of the star and zodiacal positions. Alongside the extraordinarily ingenious volvelle illustrations forming the first four books of Theatrum Mundi, there are depictions of Hell and its circles as inner portions of the Earth, the New World hemisphere and the wind rose, as well as calculators for tides and daytime at every longitude and latitude. Book 5 presents 48 maps of the Ptolemaic constellations and the related mythological illustrations. The star positions were taken from Copernicus’s catalogue. ‘Somasco printed blocks for division into small squares of woodcut ornament (a few with grotesque faces) to be pasted on the verso of the leaf over the string by which the separate pieces were attached. He left space for these squares in setting the text. Mortimer, 206, HL, 2725, Warner, p. 91, Burden, The Mapping of North America, 66, Alden, 589/26, Adams, G-169.

Sachgebiete: Astronomie, Atlanten, Kartographie, Instrumente (Technik)

30.07.2026 - 12:23

14600,- EUR

Marshall Rare Books