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A scarce and beautiful miniature celestial globe produced in Amsterdam during the first quarter of the 18th century. Amsterdam, Gerard & Leonard Valk, 1715-1728

Novus Globus / COELESTIS / Auct. Et Edit. / GERH. Et LEONH. VALK / Amstelodami. Diameter globe: 3 inches / 7.6 cm. – Total height: 5,91 inches / 15 cm. A scarce and beautiful miniature celestial globe produced in Amsterdam by Gerard and Leonard Valk during the first quarter of the eighteenth century. A celestial globe is a mounted sphere, displaying the stars and zodiacs. This globe consists of twelve copper plates, original hand-coloured varnished, clipped elliptical gores, and two celestial calottes – all expertly crafted onto the papier-mache globe itself. Gores are the printed panels with curved sides that taper to a point at each end, making up a surface of the globe. They are designed to give a complete three-dimensional map when cut and adhered to the globe. The globe sits on four lovely, turned wooden mahogany stands, with rectangular cross stretchers all meeting at a central point beneath the globe. The globe has delightful bun feet. The celestial calottes are on the ecliptic poles. The globe has a brass meridian ring and hour dial with a hand-coloured printed paper ring on the wooden horizon ring, showing degrees and the days of the houses of the Zodiac. The title is (without a cartouche) situated between Hydra and Argo. Only the stars of the first five magnitudes are given; the chart is placed between Phoenix and Cetus. Highlights include: Stars: Individual stars are marked, often using different-sized dots to indicate their magnitude (brightness). Constellations: Figures representing the constellations (such as Orion, Ursa Major, Pegasus) are typically drawn and labelled, often based on the traditional 48 Ptolemaic constellations from Greek and Roman astronomy. The colouring on this miniature globe is certainly contemporary if not original. All the engraving is rendered to the highest standard. The globe is presented in excellent condition. There are a few minor dents and blemishes due to restoration, just below the Bear (Ursa Major) constellation. The horizon ring shows signs of slight wear. Gerard Valk, along with his son Leonard, was the only significant publisher of globes in the Netherlands during much of the 18th century, and enjoyed a near monopoly in the first half of the 1700s. Gerard Valk was apprenticed in London during the 1670s; however, he returned to Amsterdam during the late 1680s and quickly established his own business. In the early days, he often worked in collaboration with his brother-in-law, Petrus Schenk. Valk was tutored in the art of globemaking by Pieter Smit. Valk’s globes soon met with widespread acclaim, and he swiftly produced several globes with 3,6,9,12,15, 18, and 24” diameters. In 1711, Gerard’s son, Leonar,d joined the business and became a partner, and gained full control of the business after the death of his father in 1726. After Leonard’s own death in 1746, globe production continued under Maria Valk (nee Schenk), wife of Leonard, and daughter of Petrus. The miniature or pocket globe was a British invention, introduced to the world by Joseph Moxon in 1673 when he produced a 3” globe. To own a pocket globe is to have the whole world in miniature. Pocket globes were never to be taken very seriously; they never served any practical purpose. Their size makes accurate calculations impossible, and they tend to lack the rings and dials for the most common manipulations. No, they were seen more as a status symbol, or a lovely decorative, artistic artefact to reside on a gentleman’s desk or small table. There is a school of thought that some of the cheaper pocket globes may have aided children’s education. Today, they reflect a lost and never-to-be-forgotten bygone age of exploration and discovery. The heyday or peak time for the pocket globe was the late 18th century. A unique opportunity to acquire and own a most desirable celestial pocket globe, in very good condition, produced by one of the very finest globemakers in Europe.

Sachgebiete: Globen, Kartographie

07.08.2026 - 15:32

35000,- EUR

Antiquariaat De Roo

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A small miniature terrestrial pocket globe by J. Addison

London, No. 116 Regent St., 1825 A superb small miniature terrestrial globe produced by John Addison & Co. at their premises in Regent Street in 1816. The globe is beautifully housed and enclosed within its original black fish skin case, complete with original hook, clasp, and hinge. The interior of the fish skin case is a striking scarlet colour. The case will close. The globe has its original metal pinions. This globe is in good condition. It has a lovely ‘aged’ feel and patina that can only be achieved by time. The globe is seen in original hand colour, with greens, reds, and off-white. There is cracking to the original lacquered gores, a few minor marks and abrasions – entirely normal and consistent with a globe of this age. Some gores have suffered a slight loss, some loss and discolouration to the gores culminating at the South Pole. The fish skin case is in good condition, and has the normal crazed cracking in its interior; at the extremities of the case have the usual signs of general rubbing and wear. Historically, globes are among the most ancient scientific instruments known to man. They can be dated back over two millennia and are still manufactured to this day. The earliest tradition of globe making is mainly concerned with celestial globes – man has always been fascinated and drawn to the heavens above Celestial globes have always enjoyed a precedent of terrestrial globes. Doubts about the feasibility of a terrestrial globe were firmly expressed by the Greek geographer Strabo, who wrote that such a globe would only make sense if its diameter were approximately 10 feet, presumably because only then could it furnish sufficient geographical detail! The great second-century Egyptian mathematician, astronomer, astrologer, and geographer, Claudius Ptolemy, also considered the large size of a globe to be somewhat of an obstacle and noted a further shortcoming of a terrestrial globe – that one could not view the whole world on it in a single glance. As a result, terrestrial globes were not as popular until much later. The eighteenth and nineteenth centuries are recognized as the high points of English globe making, and this globe illustrates this fact admirably. Many English globes were exported to the continent and throughout the world, many finding their way into famous scientific institutions, libraries, and the stately homes of gentlemen and aristocrats. T he real beauty of globes is that they can be considered to be “all things to all men”; to some they are useful and practical educational tools, (3D maps perhaps); to some others as beautiful and useful scientific instruments; and to more, they may be seen purely as decorative, beautiful pieces of furniture; to be envied and enjoyed, but more importantly, and above all, to be admired by all.

Sachgebiete: Globen, Kartographie

07.08.2026 - 14:22

9500,- EUR

Antiquariaat De Roo