Rare Books Berlin - Internationale Messe für Bücher und Graphik

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Missale Romanum

Missale Romanum ex decreto sacrosancti concilii Tridentini restitutum. Pii V. iussu editum, Clementis VIII. & Urbani papae VIII. auctoritate recognitum. Additis etiam missis sanctorum ab Innocentio X. et Alexandro VII. pont. max. ordinatis. Romae, ex typographia Reverendae Camerae Apostolicae, 1662. Folio (415 x 277 mm). [XL], 560, xcii, 8 p. With an engraved title page by François Spierre after Petrus Berettinus, a large printer's mark with the coat of arms of pope Alexander VII., 17 full page engravings, 16 elaborate engraved borders round the text and 10 engravings in the text, engraved by Guillaume Vallet, Étienne Picart, Cornelis Bloemaert, I. Baronius, F. Spierre and Bonacina after designs of Lazzaro Baldi, Ciro Ferri, Nicolaus de Bar, Guillemo Cortese, Pietro da Cortona, Carolus Caesius, Joan Miele, Car. Maratti and R.F. Mola. With typographical musical scores. Many large woodcut initials. Red morocco, tooled in gold and stained in black. On the covers an all over pattern with differently shaped compartments divided by a black stained architectonical lacework pattern, symmetrical along two axes. In the middle of the sides semicircular fan tooled compartments. The compartments in the corners bordered by an abstract roll and filled with a semé of dots. In the centre an octagonal compartment, surrounded by 4 irregular compartments, bordered by an abstract roll and filled with diagonal crossing dotted lines forming small lozenge shaped spaces each with a small flame. In the centre a space for a coat of arms (erased). Above this a flat hat, with on both sides depending three levels of tassels, flanked by two cherubs. Flat spine divided by black stained bars in 11 compartments, all with a lozenge shaped central ornament and corner tools. Vertically along the compartments an abstract flower roll. Endbands of gold thread and white silk. Edges gilt. With 3 (of 5) keys.

Sachgebiete: Einbände, Illustrierte Bücher, Religion

29.07.2026 - 15:36

1250,- EUR

Florisatus Fine Books, Manuscripts & Musicalia

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Stefan Sebok (Design by)

Dresden: 1926. Fold out. Mint condition. Stefan Sebok was a Hungarian-born architect who worked with Walter Gropius in Dessau and Berlin in the late 1920s, and then with fellow Hungarian emigré László Moholy-Nagy on his famous Light Prop, and later moved to the Soviet Union to work with the constructivist architects Moisei Ginzbrug, El Lissitzky and the Vesnin brothers. In between he carried out numerous projects of his own and found himself central to a key generation of emerging modern architects in Dresden, Berlin and Moscow. Life and work He was accepted in Dresden in 1921 at the Hochbau [Architecture] faculty at the Sächsiche Technische Hochschule, opting for the science oriented course, but chose art for his optional subject. The university records show him as a highly achieving student and he was given the opportunity to do a research project on Viennese Baroque, which he presented in 1925 as an illustrated public lecture at the Dresden Kupferstichkabinett. In 1926 he submitted his Diploma work, a project for the design of the Tanztheater, Dresden, probably inspired by the presence of the famous dancer Gret Palucca in Dresden at the time. The work had many innovative features aiming to minimise the interface between stage and spectators. He received his diploma Dip. Ing. Arch. in March 1927. Although he already had a firm position offered by Erich Mendelsohn at the time, he decided to join Walter Gropius in Dessau. The main attraction for Sebök was the recently commissioned revolutionary theatre by Erwin Piscator. Although the theatre did not materialise at the time, the concept of the possible use of films, the stage and roof design, was reworked by Sebök in several drawings over the years and it found its continuation also in a plan worked out by Gropius and Sebök in 1930 for a theatre for Kharkov for mass performances for which many of Sebök’s annotated preliminary sketches have survived. In 1928 Sebök briefly returned to Dresden, probably to re-work his Tanztheater for the Internationales Problem Theater. From 1928 till 1931 Sebök rejoined Gropius in Berlin participating in numerous projects. Sebök also collaborated closely with László Moholy-Nagy on the Kinetisch-konstruktives System [Kinetic Constructive System] and the Light space modulator. The collages for these are marked durchconstruirt [constructed] by Sebök and the technical drawings for the latter bear his signature. During 1929 he was also involved with Moholy-Nagy in various stage designs for Erwin Piscator.

Sachgebiete: Werbung, Moderne Kunst

29.07.2026 - 15:34

8000,- EUR

Foldvaribooks

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Schiefler, Gustav

Das graphische Werk Emil Noldes bis 1910. Berlin: Julius Bard, 1911. Illustrated with the woodcut “Ägypterin I” as frontispiece, and twenty-five woodcuts printed in the text. First edition. Limited numbered issue, one of 400 numbered regular copies, from a total edition of 435. Publisher’s illustrated boards with woodcut vignette on the front cover, title lettered in black; with the original blank tracing-paper dust jacket. [6] 3–139 [1] pp. In fine condition. Early catalogue raisonné of Nolde’s graphic work, illustrated with original woodcuts and a lithograph, issued at an early stage of the artist’s printmaking career. Published in 1911, this work by Gustav Schiefler constitutes the first systematic catalogue of the graphic oeuvre of Emil Nolde up to that date. Appearing only a few years after Nolde began producing prints, the book documents the artist’s early work in woodcut, etching, and lithography and reproduces several examples within the text. Schiefler, a Hamburg judge, collector, and supporter of modern art, maintained close relations with leading figures of the German avant-garde. His understanding of contemporary art was shaped in part by Alfred Lichtwark, and through these circles he became personally acquainted with Nolde in 1906. The present publication reflects this relationship: in his preface Schiefler explains that his intention was both to testify to his appreciation of Nolde’s work and to broaden the circle of collectors interested in it. The book records Nolde’s early graphic production and illustrates it with original prints, including the woodcut Ägypterin I and the lithograph Der Pflüger. These works demonstrate Nolde’s expressive approach to printmaking and belong to the formative years of German Expressionism. Schiefler later produced similarly detailed catalogues of the graphic works of artists such as Max Liebermann, Edvard Munch, and Ernst Ludwig Kirchner, but this early study of Nolde remains one of the foundational references for the artist’s printed oeuvre.

Sachgebiete: Erstausgaben, Illustrierte Bücher, Lithographie, Moderne Kunst, Holzschnitt

29.07.2026 - 15:29

5000,- EUR

Foldvaribooks