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Muhammad

A431) Quran Illuminated manuscript on paper, in Arabic, Ottoman Empire, undated but late 18th century. Size of the sheet 215 x 145 mm, writing surface 145 x 80 mm. Text in Naskh calligraphy on a single column of 15 lines in black ink. Composed of 310 cards, complete. The decoration includes a double illuminated frontispiece in gold and colors and numerous gold and blue flowers on the margins. All the sheets are bordered by a triple gold and black fillet. At the beginning of each Sura there is a gold cartouche with a title in white ink. Probably contemporary leather binding with flap, blind-stamped and gold decorated, with abrasions and signs of use. Good condition of conservation, clean copy with wide margins. The Arabic word Koran (< ar. Qur'ān) means ‘recitation’, ‘reading aloud’, ‘proclamation’. The Koran is of course the one and only sacred text of the Islamic religion. As a book, it is divided into 114 chapters called Surahs, each of them subdivided in verses called ‘ayāt (sing. ‘aya). Except for the first one, called ‘the opening Surah’ (< ar. Sūrat al-Fātiḥa), the Koranic Surahs are loosely ordered according to their decreasing length: the longest one at the beginning (namely the Surah n. 2), and the shortest one towards the end of the holy book. The ‘official’ division into verses is not everywhere accepted, as there are cases in the numbering of Surahs’ verses that show some slight variations. Each Surah is always preceded by its title, usually consisting in a single word taken from a supposedly significant term contained in the text of the Surah itself, though often the word chosen for the title reveals to be quite inconsistent with the Surah’s more general content. All the Surahs but the 9th one start with an invocation formula called basmala (the Arabic noun for the famous noun phrase b-ismi’l-Lāh, ar-Raḥman, ar-Raḥīm: ‘In the name of God, the Merciful, the Compassionate’). The basmala is commonplace in the everyday conversation of the Muslim faithful, and they use it very often at the beginning of a sentence in order to emphasize their sincerity, piety, commitment, truthfulness and so on.

Sachgebiete: Buchmalerei, Islam, Koran, Religion, Theologie

31.07.2026 - 14:56

2800,- EUR

Giuseppe Solmi Studio Bibliografico

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Franch miniaturist

403) Horae Verard Horae secundum usum Romanum, printed on parchment and illuminated, Paris, Antoine Verard, 1510. Volume in 8°, folio dimensions 150 x 100 mm, text 108 x 60 mm, text in Gothic "batarde" in a single column of 22 lines. Composed of 125 printed folios and one blank folio. The volume is complete, but due to a typographical error, folio 90 was not printed and is blank, thus missing an illuminated woodcut (metalcut) depicting the Crucifixion . A Crucifixion from other Verard Book of Hours is added. At the beginning of the volume, there are six folios on paper and two on parchment with prayers in French written in a later hand. At the end, there are also three folios on parchment with prayers followed by six blank folios on paper. Collation: i6; ii12; iii-xi8; xii4; xii-xvi8. The decoration includes 18 large illuminated woodcuts (of 19) and 29 smaller ones. Eleven pages (corresponding to the large figures) feature a phytomorphic border in color and gold. The binding is slightly later, in leather with gold decorations, and has been restored. Good condition, the colophon is scratched but legible, and the margins are light trimmed on the illuminated borders. Bibliography: Lacombe 201. Provenance: An anonymous collector or bookseller wrote on the back flyleaf: St. Florentin, 9 septembre 1854, ce manuscrit (sic) contient 50 miniatures

Sachgebiete: Stundenbücher, Illustrierte Bücher, Religion, Religionsgeschichte, Theologie

31.07.2026 - 14:28

24000,- EUR

Giuseppe Solmi Studio Bibliografico